Scottish Film Talent Network
Scottish Film Talent Network (SFTN) offers new and emerging filmmakers significant support for individual film projects and professional development.
SFTN connects with new and emerging Scottish talent – from new entrants through to first-time feature filmmakers by providing tailored support which best suits individual requirements alongside wider funding schemes and short film commissions.
We have a number of specific programmes on offer through SFTN, which are outlined on this site, and we want to talk them through with you to work out a holistic approach to your support and development.
If you have something to say and you want to say it on film, we want to hear from you.
We want you to consider us the first port of call for advice on opportunities that may be available to you.
SFTN is a consortium made up of the Centre for the Moving Image (CMI), DigiCult and Hopscotch Films. SFTN represents Scotland in the UK-wide BFI NETWORK initiative as it connects the UK’s film talent development agencies. The Scottish Film Talent Network consortium has been awarded the contract by Creative Scotland and is supported by BFI & Creative Skillset.
This initiative is the first to bring together industry practitioners in film development, production, finance, distribution, exhibition and festivals who will pass on their expertise through comprehensive hands-on development opportunities.
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Caroline Cooper Charles
Caroline is the Talent Development Executive and responsible for the the first feature slate. Caroline’s 20 year career within the film industry has evolved from running her first production company with acclaimed music video director Dawn Shadforth to her more recent role as Head of Film at Creative England. Along this journey she has spent time as Head of Creative Development at Warp X, where she was responsible for a diverse slate of low-budget features, managed the UK Film Council’s nationwide short film programme through her company Lifesize Pictures and spent a year as Director of the Sheffield International Documentary Festival. Alongside her various positions Caroline has continued her own producing career, most recently with The Incident, the debut feature from writer/director Jane Linfoot which released in UK cinemas in November 2016.
Arlen is responsible for co-ordinating SFTN and provides administrative support to the Talent Development Executive and management team. Having studied psychoanalysis of film at university and previously worked at Edinburgh International Film Festival, Creative Scotland and Festivals Edinburgh on a range of different projects, Arlen is experienced in arts administration and project management and passionate about film.
Management & Funders
All commissioning decisions will be made by the SFTN Management Group. The panel is made up of Carolynne Sinclair Kidd (Hopscotch Films), Claudia Yusef (SFTN), Holly Daniel (CMI), Paul Welsh (DigiCult) and Ross MacKenzie (Creative Scotland)
Carolynne has worked in film and television for over 20 years, producing numerous award-winning short films, television drama series and features, championing talented new writers and directors every step of the way. She recently completed production on GASPING, comedy writer and performer Greg Hemphill’s first short film as director, and is now working on a feature length project with him. She is developing a slate of feature films with Hopscotch Films, all with first time feature directors with whom she has made successful short films. She is passionate about discovering and nurturing new talent and is excited to be working with the Scottish Film Talent Network to support Scotland’s new and emerging filmmakers.
An experienced producer of shorts and features, Paul founded DigiCult in 2002, building a strong reputation developing new and emerging filmmakers in the UK and internationally since. In 2010 his debut feature SKELETONS, directed by Nick Whitfield, won the Michael Powell Award for Best British Feature (at EIFF) before its BAFTA and BIFA nominations for Outstanding Debut and Outstanding Achievement in Production respectively. Paul has subsequently produced many award-winning shorts and several features in the UK and Australia. LORE directed by Cate Shortland, was Australia’s Foreign Language Oscar nominee in 2013. And his most recent feature doc LOST IN FRANCE, directed by Niall McCann, was distributed by Curzon Artificial Eye in 2017.
Holly is responsible for the design and delivery of all talent development and industry activity at Edinburgh International Film Festival and the Centre for the Moving Image. Following six years in television documentary, sport and commercials production, Holly moved into film and professional development at Moonstone International Screen Labs, joining EIFF in 2008. Initiatives introduced since then include the EIFF Talent Lab, EIFF Network with story editor Kate Leys, the Composers Lab and the Animation Lab.